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You will an extensive beskrivelse af The Chronicles of Riddick nedenfor:
- Original titel : The Chronicles of Riddick
- Film titel : The Chronicles of Riddick
- År for film : 2004
- Genrer af film : Action, Sci-fi,
- Status for film : Released
- Udgivelsesdato for film : 2004-06-11
- Virksomheder af film : One Race Films, Radar Pictures,
- Landene i film : United States of America,
- Sprog af film : English,
- Varighed film : 119 Min
- Gennemsnitlig stemme af film : 6.3
- Youtube ID film : cSqQxoT3wMQ
- Oversættelse af film : FR,RO,ET,EN,DE,LT,HR,RU,ES,SR,HU,DA,NL,PL,ZH,NO,CS,SK,BG,FI,TH,KO,HE,PT,UK,IT,TR,PT,SV,EL,
- Cast af film :Vin Diesel (Riddick), Judi Dench (Aereon), Alexa Davalos (Kyra), Colm Feore (Lord Marshal), Nigel Vonas (Merc), Karl Urban (Vaako), Terry Chen (Merc Pilot), Roger R. Cross (Toal), Nick Chinlund (Toombs), Christina Cox (Eve Logan), Yorick van Wageningen (The Guv), Kim Hawthorne (Lajjun), Mark Gibbon (Irgun), Linus Roache (Purifier), Keith David (Imam), Thandie Newton (Dame Vaako), Charles Zuckermann (Scales), Alexis Llewellyn (Ziza), Raoul Ganeev (Slam Guard)
The Chronicles of Riddick is the best film provided by One Race Films, Radar Pictures, possessing beskrivelse af filmen er "Riddick er på flugt. Han er undsluppet fra de lejemordere, der er fast besluttet på at indkassere den dusør, der er udsat på Riddick, og nu befinder han sig midt i en kamp, der overhovedet ikke har noget med ham at gøre.Necromongerne truer selve universets fremtid, og Riddick er måske den eneste (men også usandsynligste) helt, der kan redde menneskeheden. Men spørgsmålet er, om han egentlig er interesseret i at redde andre end sig selv...". Filmen er produceret med fremragende grafisk kvalitet, bedste ear busting sound quality and best bedste skuespillere.
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Set Designer : Dean Wolcott, Sound Re-Recording Mixer : Frank A. Montaño, Camera Operator : James Muro, Assistant Art Director : Vivien Nishi, Still Photographer : Joseph Lederer, Music Editor : Ashley Revell, Sound Re-Recording Mixer : Chris Jenkins, Unit Production Manager : Wendy Williams, Assistant Art Director : Nick Navarro, First Assistant Camera : Aristidi Georgiopoulos, Assistant Costume Designer : Lesley Neufeld, Stunt Coordinator : Bob Brown, Co-Executive Producer : Tom Engelman, Orchestrator : Tim Simonec, Set Costumer : Keith A. Parent, Set Costumer : Summer Eves, Sound Effects Editor : Harry Cohen, VFX Supervisor : Tom Debenham, Casting : Coreen Mayrs, Characters : Jim Wheat, Assistant Property Master : John Sweeney, Set Designer : Andrew Menzies, Construction Coordinator : Jan Kobylka, Set Costumer : Andra Norton, Art Department Assistant : Joanne McArthur, Sound Effects Editor : Bryan Celano, Production Sound Mixer : Tim Richardson, Set Dresser : Jamie Westbury, Supervising Music Editor : Joshua Winget, Hairstylist : Debra Wiebe, Gaffer : Drew Davidson, Editor : Dennis Virkler, Transportation Captain : Cliff Brown, Executive Producer : Ted Field, Transportation Captain : Jack Lopatinsky, Set Designer : Luke Freeborn, Second Assistant Director : David Ticotin, Set Designer : Andrew Li, Sound Designer : Peter Zinda, Set Costumer : Lenore Martinolich, Transportation Coordinator : Sylvia Nablo, Set Designer : Josh Lusby, First Assistant Camera : Lee Blasingame, Writer : David Twohy, Director of Photography : Hugh Johnson, Key Hair Stylist : Ian C. Ballard, Production Manager : Jeremy Johns, Unit Manager : Mandy Spencer-Phillips, Set Costumer : Christine Kunicki, Art Direction : Mark W. Mansbridge, Sound Effects Editor : Hector C. Gika, Set Costumer : Margaret Perry, Casting Assistant : Josie Ochej, VFX Supervisor : Jesper Kjölsrud, Sound Re-Recording Mixer : Rick Kline, Director : David Twohy, Unit Publicist : Lee Anne Muldoon, Set Designer : Victor James Martinez, Set Costumer : Eliza Lau, Set Dresser : Darian Deering, Visual Effects Producer : Denise Davis, Set Costumer : Daevina Danyluck, Special Effects Coordinator : William H. Orr, Best Boy Electric : Steve Vincent, Property Master : D. Brent Lane, VFX Supervisor : Mike Wassel, VFX Supervisor : Jamie Dixon, Key Makeup Artist : Victoria Down, First Assistant Camera : Theo Eglseder, ADR Editor : Michael Hertlein, Set Dresser : Mecca Thornhill, Costume Supervisor : Dawn Y. Line, Set Designer : Richard F. Mays, Stunt Coordinator : Dean Choe, Casting Associate : Jay Scully, Set Costumer : Marco Daxton, Casting Assistant : Suzanne Ward, Post Production Supervisor : Lisa Rodgers, Camera Operator : Mike Thomas, Camera Loader : Corey Robson, Casting : Mary Selway, Set Costumer : Janice Gardner, Key Grip : Kim Olsen, Executive Producer : David Womark, Set Dresser : Jim Campbell, Boom Operator : Jon Lavender, Set Designer : Pamela Klamer, Camera Operator : Scott MacDonald, Assistant Sound Editor : David Stanke, Set Designer : Ernie Avila, Boom Operator : Donald D. Brown, Makeup Artist : Richard Dean, Sound Designer : Ann Scibelli, Set Designer : Adrian Gorton, Art Department Coordinator : Kirstin Mooney, Makeup Artist : Christien Tinsley, Casting : Anne McCarthy, Sound Effects Editor : Michael Kamper, Assistant Costume Designer : Christine Coutts, Production Coordinator : Bliss McDonald, Script Supervisor : Kelly Moon, Set Costumer : Anne Burke, Costume Supervisor : Bob Morgan, Editor : Martin Hunter, Casting Associate : Freddy Luis, Assistant Editor : Lorie Olson, Assistant Property Master : Tyler Patton, Visual Effects Art Director : Steve Burg, Sound Designer : Scott Martin Gershin, Set Dresser : Gordon Stewart, Assistant Editor : Richard Long, Storyboard : Benton Jew, Production Sound Mixer : Rob Young, Production Design : Holger Gross, First Assistant Editor : Robert C. Lusted, Dialogue Editor : Kerry Dean Williams, Assistant Editor : Kevin Willis, Storyboard : Phillip Norwood, Set Designer : A. Todd Holland, Art Direction : Bruce Crone, Additional Editing : Rick Shaine, Art Department Assistant : Jonas Mayabb, Supervising Art Director : Kevin Ishioka, Set Designer : Mark Hitchler, Costume Design : Ellen Mirojnick, Set Decoration : Peter Lando, Camera Operator : Ian Fox, Makeup Effects : Ve Neill, Production Accountant : Mark Mayer, Set Designer : Ginny Sakamoto, Set Costumer : Lauren M. Walker, Construction Foreman : John Dale, First Assistant Director : William M. Elvin, Set Designer : David Chow, Visual Effects Supervisor : Peter Chiang, ADR Editor : Kerry Dean Williams, First Assistant Camera : Bob Findlay, ADR Supervisor : Hugh Waddell, Storyboard : Collin Grant, Set Costumer : Danise Lee, Negative Cutter : Mo Henry, ADR Editor : Daniel S. Irwin, Visual Effects Editor : Sara Hyoun, Assistant Art Director : Maya Shimoguchi, Sound Designer : Bryan Bowen, First Assistant Editor : Emily Wallin, Set Costumer : Jeffrey Fayle, Dialogue Editor : Michael Hertlein, Art Department Assistant : Venessa De Anda, Costume Design : Michael Dennison, Characters : Ken Wheat, Costume Supervisor : James W. Tyson, Assistant Editor : David Matusek, Set Costumer : Elizabeth Merrie, Visual Effects Producer : Allen Maris, Producer : Vin Diesel, ADR Editor : Thomas Jones, Sound Effects Editor : Bruce Tanis, Assistant Costume Designer : Gail L. Smith, Art Direction : Sandi Tanaka, Production Supervisor : John Kreidman, Steadicam Operator : James Muro, Producer : Scott Kroopf, Best Boy Electric : Teya Sellan, Dialogue Editor : Daniel S. Irwin, Associate Producer : Wendy Williams, Assistant Editor : Maggie Ostroff, Sound Designer : Jon Title, Executive Producer : George Zakk, Visual Effects Producer : Kimberly Nelson LoCascio, Property Master : Tommy Tomlinson, Additional Editing : Tracy Adams, Dialogue Editor : Thomas Jones
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Tags: prison, dystopia, matter of life and death, outer space, intergalactic travel,
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